Process

The below highlights my process on two projects—the “Loudermilk” campaign and the Lionsgate/Tribeca Shortlist refresh.


 

TASK

Design key art for season two of the series, “Loudermilk.” Continue development of designs for out-of-home and social campaigns.

ROLE: Art Direction, Design

 

 
 
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“Loudermilk” revolves around the exploits of Sam Loudermilk. A curmudgeonly substance abuse counselor, recovering alcoholic, and former music critic. The key art for S2 would ultimately need to co-exist with the S1 key art—showing a continuation and a progression.

 
 
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SSN 1 Key Art Design: AT&T

 

 
Initially considering a “savior” concept, thumbnail sketching led to a simplification reflecting the titular character as a nucleus of sorts.
 
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Rock design provided inspiration for typography, scale, pattern, and color usage. It also served to reference Sam Loudermilk’s past as a former music critic.

 
 

 

EARLY DESIGNS

Comps explored the “nucleus” concept, as well as other options that focused on typography-leading solutions with bold headlines. Once the cutout was established with Sam Loudermilk’s head, I applied that style in other variations.
 
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KEY ART

 
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The initial key art was expanded into a campaign to include secondary cast.
 
 

 
Color explorations
 
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Out-of-home explored color order and repetition with variations on the placement of each poster in the campaign.
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Digital placements, coupled with expanding the key art into social, required further development of the static designs into a living, breathing design language.
 
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SOCIAL CAMPAIGN RESULTS: 747K Twitter impressions, 45K Instagram impressions, 13.5K Facebook engagements

 
 
 

TSLp

TASK

Develop and implement a brand refresh for Tribeca Shortlist, a joint SVOD between Lionsgate and Tribeca Productions—retaining original logo and signature purple.

ROLE: Creative Direction, Art Direction, Design

 

 
 
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Tribeca Shortlist featured a rotating library of over 150 titles and 25 talent-created recommendations (Shortlisters) per month. The main challenge was representing a brand that constantly shifted every 30 days. Tribeca Shortlist offered a smaller catalog of movies “handpicked” by actors, filmmakers, and other industry insiders, accompanied by a brief video recommendation.

 
 
 
The previous brand look never committed to a direction or a consistent voice. Typography had no hierarchy in font usage. Image handling was inconsistent and not refined. Key art was not optimized for legibility on smaller screens. Overall it was jumbled and lacked a clear identity.
 
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POSITIONING

BRAND OVERVIEW
Tribeca Shortlist selections are curated by real people, with real interests, who care about the films they share.

BRAND PERSONALITY
We are approachable, never elitist. We are enthusiastic and entertaining. We are the films you discuss when asked “What are you watching?”

 

 
Typography and image handling inspiration.
 
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TYPOGRAPHY

The previous brand look featured inconsistent typography—either in Gotham or DIN. Mark Pro provided modern personality—approachable yet elevated. Keeping headlines in title case produced a strong impact while also being cordial.
 
Mark Pro Bold
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Mark Pro Book
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COLOR

The previous palette presented cold and limited contrast. Paring down and adding a bold red-orange instantly energized.
 
Previous palette
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New palette
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Hierarchy
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IMAGERY

“Shortlister” selects should be unique and inviting. Still selections should be dramatic and highlight cast prominently. All should be adjusted for color and quality.
 

 

LOGO

Tribeca Productions was very much attached to the original logo and signature purple brand color. The bounding box around “Shortlist” and inclusion of the tagline, with the already busy form, created a complicated design that lacked a focal point. Removing the bounding box and cutting the tagline provided some air around the letterforms and unified the entire shape.
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UI

 
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Pre-Refresh (iOS)
 
Post-Refresh (iOS)
 
Previous UI structures remained intact—allowing cosmetic revisions only. Talent photography permitted no additional treatments or color applications.


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Designing a background element to be utilized throughout various platforms was a jumping-off point on how to visually combine the films and “Shortlisters” to illustrate the catalog of the service.
 
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Apple TV (2017)

 
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Roku (2017)

 
 
 
 
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Twitter (2017)

 

 

SOCIAL

 
 
 
 
 

 
Banner ads and email communications continued leading with familiar faces. Bold type and bold visuals cut through the clutter.
 
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Evolving the visual identity of Tribeca Shortlist toward a single, consistent voice affected a 63% growth in new subscribers.

 
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